Please summarize Bohlmans main argument, as you understand it, in the section entitled, Process I: Resistance in the Colonial and Missionary Encounter.
In your opinion, what point is Bohlman trying to make through his use of the term historicization.
In Process III: Pilgrimage, Bohlman states, [P]ilgrimage does not exist without music. Why does he say this, and do you agree with the statement? (Please give a reason(s) for your answer.).
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